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Kofi Kayiga (born December 1943),〔("Kofi Kayiga" ), JamaicaArts.com.〕 formerly known as Ricardo Wilkins,〔Martin Mordecai and Pamela Mordecai, (''Culture and Customs of Jamaica'' ), Greenwood Publishing Group, 2001, p. 183.〕 is a Jamaican-born artist and educator, who migrated to the US, after periods spent in the UK and Uganda.〔("Art in the African Diaspora" ), in Carole Boyce Davies, ''Encyclopedia of the African Diaspora: Origins, Experiences, and Culture'', ABC-CLIO, 2008, p. 115.〕 He has exhibited widely internationally and since the 1960s has taught fine art at various institutions, becoming a professor at the Massachusetts College of Art and Design (MassArt).〔("Kofi Kayiga" ), PetrineArcher.com.〕〔("About Kofi Kayiga" (CV) ), Maria Pestana Art Gallery Online.〕 ==Biography== Born in Kingston, Jamaica,〔("Kofi Kayiga ), Diaspora Artists.〕 to Jamaican and Cuban parents,〔 he studied at the Jamaica School of Art,〔("Kofi's First" ), ''The Jamaica Gleaner'', 23 May 2010.〕 and won a government scholarship that enabled him to go to London to pursue a master's degree in Fine Art at the Royal College of Art (1971).〔 He was a lecturer at Makerere University in Kampala, Uganda, in the early 1970s, and from 1973 to 1981 he was head of the painting department at the Jamaica School of Art.〔 He was artist-in-residence at the College of Holy Cross, Worcester, MA (1980–83),〔 and went on to become a professor at Massachusetts College of Art, Boston, MA.〔〔("Kofi Kayiga" ), MassArt.〕〔 His work has been characterised as influenced by Africa and by Jamaican folklore and religious themes.〔"Art in Latin America and the Caribbean", in Anthony Appiah, Henry Louis Gates (eds), ''Africana: The Encyclopedia of the African and African American Experience'', Oxford University Press, 2005, pp. 268–269.〕〔John Dorsey, ("African influence surfaces in Jamaican folk art" ), ''The Baltimore Sun'', 14 March 1995.〕 In the words of the late art Petrine Archer-Straw, "Kayiga’s work is concerned with origins, 'primitive'in the sense of exploring the essence of human consciousness and its links with spirituality. To access this deeper understanding of the self, Kofi strips himself of his formal training and approaches his subject matter intuitively and even mystically, recovering images from deepest memory and the subconscious. His is a pantheistic world that reveals the mystery of the universe in every aspect of daily life. Inanimate objects and situations become animate and alive with animal forms, insects and cosmic creatures that remind us that the spirit world is all around us. Unlike the many artists creating during this era who were inspired by the repatriation message of Garvey and Rastafarianism, Kayiga's world is not one of idealism mediated through the diaspora experience. Instead, he is the only artist who channeled a first-hand experience of Africa into his work, resulting in an immediacy and directness that consists of bold strokes, vibrant colour fields and symbolic language."〔 In 2015, Kayiga's work features exhibition ''No Colour Bar: Black British Art in Action 1960–1990'' at the Guildhall Art Gallery, City of London.〔FHALMA (Friends of the Huntley Archives at London Metropolitan Archives, ("The Artists' Profiles" ), Huntleys Online.〕 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Kofi Kayiga」の詳細全文を読む スポンサード リンク
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